Combined Transport Documents provides a comprehensive guide to combined transport or multi-modal contracts. It examines the main contracts that deal with combined transport logically, from those concerned with the procuring of tonnage through to those that deal with general average and salvage. It also focuses on the complicated chains of indemnity particular to multimember consortium operations and explains in substantial detail a recommended draft bill of lading contract of carriage which the author himself developed. Combined Transport Documents provides a comprehensive guide to combined transport or multi-modal contracts. It examines the main contracts that deal with combined transport logically, from those concerned with the procuring of tonnage through to those that deal with general average and salvage. It also focuses on the complicated chains of indemnity particular to multi-member consortium operations and explains in substantial detail a recommended draft bill of lading contract of carriage which the author himself developed.

This book is an indispensable "cutting edge" book for students and researchers of journalism studies seeking a text that illustrates and applies a range of linguistic and discourse-analytic approaches to the analysis of journalism. While the form, function and politics of the language of journalism have attracted scholars from a wide range of academic disciplines, too often this analysis has reduced the work of journalists to text-characteristics alone. In contrast, this collection is united by the principle that journalistic discourse is always socially situated and the result of a series of processes - produced by journalists in accordance with particular production techniques and in specific institutional settings - and as such, analysis requires more than the methods offered by linguists. The contributors to this book draw on a range of the most prominent theoretical and methodological approaches to media discourse - including Conversation Analysis, Critical Discourse Analysis, the APPRAISAL framework, Multi-modal Analysis and Rhetoric - in making sense of the language of newspapers (national, local and minority press), television and online journalism. Written in an engaging style by distinguished academic authorities, this book provides a state-of-the-art review of the subject. This book was published as a special issue of Journalism Studies.

This anthology of 18th-century English poetry is extensively annotated for a new generation of readers. It combines the scope of a period anthology with the detailed annotations of an authoritative single-author edition. Selected poets include John Wilmot, Earl of Rochester, John Dryden, Jonathan Swift, Anne Finch, Countess of Winchilsea, Joseph Addison, Alexander Pope and William Cowper. The guiding principle of the annotation is one of thoroughness: the editors concentrate on works where the meanings have changed, on primary allusions and on relevant details of social and political history.

This book is an indispensable "cutting edge" book for students and researchers of journalism studies seeking a text that illustrates and applies a range of linguistic and discourse-analytic approaches to the analysis of journalism. While the form, function and politics of the language of journalism have attracted scholars from a wide range of academic disciplines, too often this analysis has reduced the work of journalists to text-characteristics alone. In contrast, this collection is united by the principle that journalistic discourse is always socially situated and the result of a series of processes ? produced by journalists in accordance with particular production techniques and in specific institutional settings ? and as such, analysis requires more than the methods offered by linguists.

The contributors to this book draw on a range of the most prominent theoretical and methodological approaches to media discourse ? including Conversation Analysis, Critical Discourse Analysis, the APPRAISAL framework, Multi-modal Analysis and Rhetoric ? in making sense of the language of newspapers (national, local and minority press), television and online journalism. Written in an engaging style by distinguished academic authorities, this book provides a state-of-the-art review of the subject.

This book was published as a special issue of Journalism Studies.

In 2019, Oscar-winning special effects supremo John Richardson released his first book, the bestselling Making Movie Magic, which chronicled his remarkable career in the film industry. A year later, during a house clear-out as the UK was stuck in a seemingly never-ending lockdown, he unearthed another treasure trove of behind-the-scenes images from the blockbuster films he worked on. Featuring never-before-seen photos from the Harry Potter films, eight James Bond films, The Omen, A Bridge Too Far, Superman, Aliens, Willow, Cliffhanger and many others, all reproduced in stunning colour alongside extended captions, Making Movie Magic: The Photographs is a further celebration of Richardson's extraordinary body of work over five decades.

Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theater, and many other expressive, commercial, and cultural spheres. Inspired by the 2012-2015 series of performances that re-contextualized this unique work as part of the present-day nexus of theoretical, political, and social concerns, the editors and contributors of this book take these new performances as a pretext for far-reaching interdisciplinary reflection and dialogue. Essays range from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera's expressive substance. A further valuable dimension is the inclusion of material taken from several recent interviews with creative collaborators Philip Glass, Robert Wilson, and Lucinda Childs, each of these sections comprising knee plays, or short intermezzo sections resembling those found in the opera Einstein on the Beach itself. The book additionally features a foreword written by the influential musicologist and cultural theorist Susan McClary and an interview with film and theater luminary Peter Greenaway, as well as a short chapter of reminiscences written by the singer-songwriter Suzanne Vega.

John Richardson is an Oscar-winning special effects supervisor and designer, who has been involved in over 100 movies, including nine James Bond adventures, all eight Harry Potter films, Aliens, Superman, A Bridge Too Far, Straw Dogs, The Omen, Cliffhanger, Far and Away, Willow . . . and many, many more. In creating the magic that flows through these films - by creating huge explosions, beheading people, producing futuristic gadgets, making a man fly or breathing life into creatures that amaze and haunt us - Richardson has come to hold a unique place in cinema history. The son of pioneering FX technician Cliff Richardson, he learned his trade at the feet of a master of the craft. With over five decades of adventures under his belt, and a vast photographic collection of unseen pictures, Richardson now lifts the lid on his exciting and fascinating career of making movie magic.

Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theater, and many other expressive, commercial, and cultural spheres. Inspired by the 2012-2015 series of performances that re-contextualized this unique work as part of the present-day nexus of theoretical, political, and social concerns, the editors and contributors of this book take these new performances as a pretext for far-reaching interdisciplinary reflection and dialogue. Essays range from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera's expressive substance. A further valuable dimension is the inclusion of material taken from several recent interviews with creative collaborators Philip Glass, Robert Wilson, and Lucinda Childs, each of these sections comprising knee plays, or short intermezzo sections resembling those found in the opera Einstein on the Beach itself. The book additionally features a foreword written by the influential musicologist and cultural theorist Susan McClary and an interview with film and theater luminary Peter Greenaway, as well as a short chapter of reminiscences written by the singer-songwriter Suzanne Vega.

The global trend in educational participation has brought with it a cross-national consequence: the expansion of students with "special needs" (SEN) placed in special education and the growth of "low achieving" students diverted to vocational tracks. This book explores the global expansion of special and vocational education as a highly variable event, not only across nations of considerable economic, political and cultural difference, but between nations with evident similarities as well. The Global Convergence of Vocational and Special Education analyzes how the concept of secular benevolence underscores the divergent and convergent trajectories that vocational and special education have taken across the globe. The authors embrace national differences as the means to observe two dicta of comparative research: similar origins can result in very different outcomes, and similar outcomes can be the result of very different origins.

The global trend in educational participation has brought with it a cross-national consequence: the expansion of students with "special needs" (SEN) placed in special education and the growth of "low achieving" students diverted to vocational tracks. This book explores the global expansion of special and vocational education as a highly variable event, not only across nations of considerable economic, political and cultural difference, but between nations with evident similarities as well. The Global Convergence of Vocational and Special Education analyzes how the concept of secular benevolence underscores the divergent and convergent trajectories that vocational and special education have taken across the globe. The authors embrace national differences as the means to observe two dicta of comparative research: similar origins can result in very different outcomes, and similar outcomes can be the result of very different origins.

First published in 1998, the three main themes of the book are representation (images and symbols which depict the body), regulation (the social control of bodies) and resistance (strategies which challenge dominant representation and regulation). These themes run through the various chapters which span a wide spectrum of bodily topics. The chapters deal not only with major issues such as media images of male and female bodies, but also with neglected problems such as workplace bullying, unusual settings such as residential institutions for trainee clergy and 'exotica' such as naturism and fetish practices. The topics range from the healthy and sporting - bodybuilding clubs and rugby culture - through to the health problems of Crohn's Disease sufferers and the self-harm practices of women in bail hostels. Also, the book sheds light on the ageing process by including not just young people (teenage girls in physical education lessons) but also the older and increasingly assertive generation of 'wrinklies.'

First published in 1998, the three main themes of the book are representation (images and symbols which depict the body), regulation (the social control of bodies) and resistance (strategies which challenge dominant representation and regulation). These themes run through the various chapters which span a wide spectrum of bodily topics. The chapters deal not only with major issues such as media images of male and female bodies, but also with neglected problems such as workplace bullying, unusual settings such as residential institutions for trainee clergy and 'exotica' such as naturism and fetish practices. The topics range from the healthy and sporting - bodybuilding clubs and rugby culture - through to the health problems of Crohn's Disease sufferers and the self-harm practices of women in bail hostels. Also, the book sheds light on the ageing process by including not just young people (teenage girls in physical education lessons) but also the older and increasingly assertive generation of 'wrinklies.'

Advances in Critical Discourse Studies collects ground-breaking scholarship and cutting-edge research which reflects significant shifts in Critical Discourse Studies, exploring the field from theoretical, analytic and methodological perspectives. Innovative chapters analyse a diverse range of discourses including journalism, mass media, political communication, policy documents, interviews, photographic archive and official bodies. The chapters in Part I explore Critical Discourse Studies from the point of view of history, memory, identity politics, and discourse, analysing salient examples of how memory and recollection of the past shapes understandings and narratives of the present, and visions of future societies. Part II explores problem-oriented analysis in Critical Discourse Studies and examines the roles that discourse plays in the formation, perpetuation and transformation of class relations. Finally, Part III explores a methodological issue by looking at the benefits of reinforcing fieldwork and ethnographic analysis in Critical Discourse Studies. The case studies throughout the book demonstrate that analytic research contributes significantly to the in-depth and in-situ research of a variety of increasingly complex social, historical, political and economic contexts. This book was originally published as three special issues of the journal Critical Discourse Studies.

This anthology of 18th-century English poetry is extensively annotated for a new generation of readers. It combines the scope of a period anthology with the detailed annotations of an authoritative single-author edition. Selected poets include John Wilmot, Earl of Rochester, John Dryden, Jonathan Swift, Anne Finch, Countess of Winchilsea, Joseph Addison, Alexander Pope and William Cowper. The guiding principle of the annotation is one of thoroughness: the editors concentrate on works where the meanings have changed, on primary allusions and on relevant details of social and political history.

The Arctic explorer Sir John Richardson (1787-1865), who had accompanied both John Franklin and John Rae on major expeditions, expands here an article which had appeared in the Encyclopaedia Britannica. Organised in two parts, and published in 1861, this work covers first the Arctic and then the largely unexplored Antarctic. Adopting a chronological approach in the first part, Richardson covers Roman knowledge of the far north, Norse voyages, and later exploration by the British, Dutch and Russians. He then deals in detail with the search for the North-West Passage, including the expeditions in search of Sir John Franklin. Later chapters cover Spitsbergen, Arctic weather, ice, currents, geology, vegetation and zoology, as well as the three principal groups of native people: the Inuit, Lapps and Samoyeds. In the second part, Richardson outlines Antarctic exploration since 1576, providing an overview of what little was known of this part of the globe.

Naval surgeon, Arctic explorer and natural historian, Sir John Richardson (1787 1865) published many works, several of which are reissued in the Cambridge Library Collection, notably the four-volume Fauna Boreali-Americana. At the Haslar Royal Naval Hospital, where he worked towards the end of his career, Richardson built up a library and museum that became renowned for natural history research. His published work was fuelled by his own voyages and the specimens sent back from other expeditions, as was the case for this illustrated work, completed in 1854. Richardson describes the zoological specimens collected during the 1845 51 voyage of the survey ship H.M.S. Herald, which had sailed into Arctic seas and took part in the search for Sir John Franklin. The collected fauna include fossil mammals from the ice cliffs at Eschscholtz Bay in Alaska, first discovered in 1816 by Otto von Kotzebue and his naturalists."

The surgeon, naturalist and Arctic explorer Sir John Richardson (1787 1865) was a lifelong friend to his former commander Sir John Franklin, with whom he had twice travelled to seek the North-West Passage. Following two years of silence from Franklin after he embarked on his 1845 expedition to the Arctic, Richardson set out on his own voyage in the hope of finding his comrade. Originally published in 1851, this two-volume work charts the journey which would inevitably fail in its ambition: Franklin, unknown to Richardson, had already died in June 1847. Volume 1, which depicts the journey to Fort Confidence in the Canadian Arctic, ends with detailed descriptions of the aboriginal Inuit and Gwich'in peoples encountered. The text is punctuated throughout by accounts of the wildlife and geographical features sighted, and the customs and cultures observed on this remarkable mission.

The surgeon, naturalist and Arctic explorer Sir John Richardson (1787 1865) was a lifelong friend to his former commander Sir John Franklin, with whom he had twice travelled to seek the North-West Passage. Following two years of silence from Franklin after he embarked on his 1845 expedition to the Arctic, Richardson set out on his own voyage in the hope of finding his comrade. Originally published in 1851, this two-volume work charts the journey which would inevitably fail in its ambition: Franklin, unknown to Richardson, had already died in June 1847. Volume 2 begins with detailed descriptions of the aboriginal Chipewyan and Cree peoples. A thorough appendix comprises observations on physical geography, climatology and the geographical distribution of plants, and includes vocabularies for the dialects encountered during the mission. The text ends, Richardson having returned, with the hope that future expeditions may yet trace 'so many gallant victims to science'.

Sir John Richardson (1787 1865), surgeon, naturalist and Arctic explorer, went on Sir John Franklin's first two Arctic expeditions as ship's doctor and naturalist, and made observations and collected a large number of plant and animal specimens from the Canadian Arctic. On his return to England after the second expedition he began to write this four-volume work of natural history, first published between 1829 and 1837. A volume is dedicated to each of the classes of mammal, bird, fish and insect, which are found in the Canadian Arctic. This work is an interesting example of pre-Darwinian natural history, full of detailed descriptions of the appearance, anatomy and behaviour of the different species. Volume 1, first published in 1829, focuses on mammals. Descriptions of the species sometimes include details of interactions between humans and that species; for example, unfortunate encounters between sailors and polar bears.

Sir John Richardson (1787 1865), surgeon, naturalist and Arctic explorer, went on Sir John Franklin's first two Arctic expeditions as ship's doctor and naturalist, and made observations and collected a large number of plant and animal specimens from the Canadian Arctic. On his return to England after the second expedition he began to write this four-volume work of natural history, first published between 1829 and 1837. A volume is dedicated to each of the classes of mammal, bird, fish and insect, which are found in the Canadian Arctic. This work is an interesting example of pre-Darwinian natural history, full of detailed descriptions of the appearance, anatomy and behaviour of the different species. Volume 2 was first published in 1831 and focuses on the species of birds found in the Canadian Arctic. It was co-authored with naturalist and illustrator William Swainson (1789 1855) and contains many illustrations.

Sir John Richardson (1787 1865), surgeon, naturalist and Arctic explorer, went on Sir John Franklin's first two Arctic expeditions as ship's doctor and naturalist, and made observations and collected a large number of plant and animal specimens from the Canadian Arctic. On his return to England after the second expedition he began to write this four-volume work of natural history, first published between 1829 and 1837. A volume is dedicated to each of the classes of mammal, bird, fish and insect, which are found in the Canadian Arctic. This work is an interesting example of pre-Darwinian natural history, full of detailed descriptions of the appearance, anatomy and behaviour of the different species. Volume 3 was first published in 1836 and is devoted to the species of fish found in the Canadian Arctic. It contains many detailed illustrations, and discussions of the similarities between different species of fish.

Sir John Richardson (1787 1865), surgeon, naturalist and Arctic explorer, went on Sir John Franklin's first two Arctic expeditions as ship's doctor and naturalist, and made observations and collected a large number of plant and animal specimens from the Canadian Arctic. On his return to England after the second expedition he began to write this four-volume work of natural history, first published between 1829 and 1837. A volume is dedicated to each of the classes of mammal, bird, fish and insect, which are found in the Canadian Arctic. This work is an interesting example of pre-Darwinian natural history, full of detailed descriptions of the appearance, anatomy and behaviour of the different species. Volume 4 was first published in 1837 and was written by distinguished entomologist William Kirby (1759 1850) using Richardson's specimens from the second expedition. It focuses on the species of insect found in the Canadian Arctic.

Sir John Franklin (1786 1847) joined the Navy at the age of fourteen and saw action at Copenhagen and Trafalgar. Between those battles, he circumnavigated Australia with his uncle, Matthew Flinders; he became famous after his first major expedition to northern Canada in 1819 22, although it resulted in the deaths of over half of his men. Accounts of both of these voyages are also reissued in this series. Franklin returned to the Arctic in 1825, and this, his second book, describes that more successful endeavour. Published in 1828, it records the expedition's planning, route, scientific observations, and the mapping of over 1200 miles of Canada's northern coastline. The party included two artists, and their work is reproduced in over thirty engravings. Franklin was later posted to the Mediterranean and Tasmania, but in 1845 embarked on his disastrous third expedition to the North-West Passage, during which he and his entire crew were lost.

Martin Heidegger is one of the twentieth century's most influential, but also most cryptic and controversial philosophers. His early fusion of phenomenology with existentialism inspired Sartre and many others, and his later critique of modern rationality inspired Derrida and still others. This introduction covers the whole of Heidegger's thought and is ideal for anyone coming to his work for the first time. John Richardson centres his account on Heidegger's persistent effort to change the very kind of understanding or truth we seek. Beginning with an overview of Heidegger's life and work, he sketches the development of Heidegger's thought up to the publication of Being and Time. He shows how that book takes up Husserl's method of phenomenology and adapts it. He then introduces and assesses the key arguments of Being and Time under three headings-pragmatism, existentialism, and temporality-its three levels of analysis of human experience. Subsequent chapters introduce Heidegger's later philosophy, including his turn towards a historical account of being, and new ideas about how we need to 'think' to get the truth about it; his influential writings on language, art, and poetry, and their role in the Western history of being; and his claim that this history has culminated in a technological relation to things that is deeply problematic, above all in the way it excludes the divine. The final chapter looks at Heidegger's profound influence on several intellectual movements ranging from phenomenology to existentialism to postmodernism. A much-needed and refreshing introduction to this major figure, Heidegger is ideal reading for anyone coming to his work for the first time and will interest and stimulate students and scholars alike.